
For Pride 2010, we asked an eclectic group for their take on Gay Pride. From living to loathing, the responses cover a wide spectrum - a rainbow of opinion, perhaps?
New York based comedian and musician Ben Lerman has entertained all over the country, including performances for Pride celebrations. Here's his take:
To me, Gay Pride will forever be a lady spilling out of teeny shorts and a halter-top thrusting her arms out in protest, a rainbow flag in each hand, wildly yelling “Boo! Boo!” in my general direction.
In 2004, I was playing bass and singing in a 4-piece comedy rock band called the Isotoners. (myspace.com/isotoners) We were carving out a little name for ourselves. The Village Voice chose us for the cover of the music section of their annual “Best of New York” issue. We were drawing 60 to 100 people at our shows in decent music clubs like the Mercury Lounge. After a packed show at Barracuda—they rented a full PA system just for our show!—we were approached by the Heritage of Pride entertainment director to perform on the Gay Pride stage. None of us even knew there was an entertainment stage at Pride. None of us ever planned to go to Pride. We’re just not the marching or parade going type. But playing to a large crowd sounded like fun and great exposure to new audiences. But maybe we performed best to smaller crowds.
We arrived for sound check, and I glimpsed impending failure. First, to accommodate the many dance acts on the bill, they put our equipment at the rear of the chrome flatbed stage that jutted out lengthwise, distancing us at least 30 feet from the front edge. The flatbed was at about 40 feet from the audience. Then at sound check, there were serious issues. We couldn’t hear ourselves in the monitors, and there was no time to get it right.
The last Sunday in June is almost always unbearably hot and humid, and as the day dragged on, so did our spirits. The other acts were more standard Gay Pride fare—drag queens, dance crews, dance divas, a funk band, a lesbian folk band, and the requisite pants-less appearance by Houston Bernard and his abdominal muscles. We knew that our frumpy quartet, a cross between Pansy Division, Weird Al, and Bare Naked Ladies was going to be a tough sell under the best of circumstances.
We finally took the stage, following a fat drag queen who killed with a Beyoncé lip synch number, and circumstances were terrible. Throughout our first song, the lead vocal was inaudible. The guitar was cutting in and out. The bass was too loud. During the second song, the vocals cut in and out. This is a death sentence to any band, but especially one whose main focus is funny lyrics and pretty harmonies. The crowd of about a thousand people were as patient as could be expected, looking at a band they couldn’t hear, pushed 70 feet away from the front row.
It was hard to get through that performance, and at the end I saw her there in the front row on the right side. I can’t be sure if she was booing my band, booing the shitty sound that continued to cut in and out, or booing the myriad events that led her and me to share this moment. But I’m sure of her sentiment. Every fiber of her being was booing, her flabby bottom-arms jelly rolling in the opposite direction of her gesticulations, her curly weave, her heavy bosom. Even the rainbow flags, one in each hand, veritable symbols of unity and pride, thrusted out in anger and shame, decidedly booing. I couldn’t help but agree with that lady and her rainbow flags. Boo! Boo, indeed.